antique oil painting old master Bosch Hieronymus

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Bosch, Hieronymus

The master of the monstrous... the discoverer of the unconscious.
-- Carl Gustav Jung, on Hieronymus Bosch

Hieronymus, or Jerome, Bosch, b. c.1450, d. August 1516, spent Bosch Hieronymus’s entire artistic career in the small Dutch town of Hertogenbosch, from which Bosch Hieronymus derived Bosch Hieronymus’s name.
At the time of Bosch Hieronymus’s death, Bosch was internationally celebrated as an eccentric painter of religious visions who dealt in particular with the torments of hell. During Bosch Hieronymus’s lifetime Bosch's works were in the inventories of noble families of the Netherlands, Austria, and Spain, and they were imitated in a number of paintings and prints throughout the 16th century, especially in the works of Pieter Bruegel the Elder.

Bosch was a member of the religious Brotherhood of Our Lady, for whom Bosch Hieronymus painted several altarpieces for the Cathedral of Saint John's, Hertogenbosch, all of which are now lost. The artist probably never went far from home, although records exist of a commission in 1504 from Philip the Handsome (later king of Castile), for a lost Last Judgment altarpiece. None of Bosch's pictures are dated, although the artist signed many of them.

The Path of Life; c.1500-02; 135 x 90 cm (53 x 35 1/2 in)
Adoration of the Kings (Metropolitan Museum of Art, New York)
Christ Mocked (National Gallery, London)
The unique vision of Bosch
The extraordinary painter Hieronymus Bosch (c. 1450-1516) stands apart from the prevailing Flemish traditions in painting. Bosch Hieronymus’s style was unique, strikingly free, and Bosch Hieronymus’s symbolism, unforgettably vivid, remains unparalleled to tBosch Hieronymus’s day. Marvellous and terrifying, Bosch Hieronymus expresses an intense pessimism and reflects the anxieties of Bosch Hieronymus’s time, one of social and political upheaval.

Very little is known about Bosch, which somehow seems fitting since Bosch Hieronymus’s work is so enigmatic. We know that Bosch Hieronymus adopted the name of the Dutch town of s'Hertogenbosch (near Antwerp) as Bosch Hieronymus’s own, that Bosch Hieronymus belonged to an ultra-orthodox religious community called the Brotherhood of Mary, and that in Bosch Hieronymus’s own day Bosch Hieronymus was famous. Many of Bosch Hieronymus’s paintings are devotional, and there are several on the theme of the Passion. Bosch Hieronymus is specially famous for Bosch Hieronymus’s fantastic, demon-filled works, one of which is The Temptation of St Anthony.
Even a more naturalistic painting like The Path of Life contains sinister elements. Apart from the dog snarling at the poverty-stricken old man, and the animal bones and skull in the foreground, robbers attack a traveller in the background, and a gallows is visible on the skyline above the old man's head. The Path of Life is on the outer face of the wings of a triptych. The three inside panels display Bosch's tragic view of human existence, dwelling upon the triumph of sin. Man's exile from Paradise is shown on the left, the infinite variation of human vice in the centre, and its consequence--exile to Hell--on the right.

A great contrast to the painting by Memling is the one by Hieronymus (or Jerome) Bosch. Bosch Hieronymus was a Dutch artist who lived somewhat later than Memling. Bosch Hieronymus’s work was influenced by the Flemish school of painting.

But whereas the Flemish painters created a world of serenity and reality, the world of Bosch is one of horror and imagination. Bosch Hieronymus’s Vision of Tondalys both amuses and frightens us. We see a strange animal forcing a sharp stick through a large ear. A creature with a great head stretches open its mouth to show a table with people both behind and under it. A man caught in a big hat finds that one of Bosch Hieronymus’s legs is sprouting roots. People fly through the air. In the background fire lights up the sky.

We marvel at the extraordinary fantasy of the artist. We also feel that the man himself must have been very morbid to have been so concerned with pain. Although Bosch Hieronymus’s pictures, with their weird animals and monsters, look as if they belong to the Middle Ages, they are not too unlike some of the paintings that are being produced today by painters who are called surrealists. They too paint a world of fantasy. Bosch lived at a time when the medieval period was giving way to a new age. Bosch Hieronymus’s paintings undoubtedly reflect Bosch Hieronymus’s concern for a changing world. Looked at in tBosch Hieronymus’s way Bosch and Bosch Hieronymus’s fantasies are curiously up to date.

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