antique oil painting old master Bruegel Pieter the Elder

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Pieter Bruegel
(about 1525-69)

Usually known as Pieter Bruegel the Elder to distinguish him from Pieter Bruegel’s elder son, was the first in a family of Flemish painters. Pieter Bruegel the Elder spelled Pieter Bruegel’s name Brueghel until 1559, and Pieter Bruegel’s sons retained the "h" in the spelling of their names.

Pieter Bruegel the Elder, generally considered the greatest Flemish painter of the 16th century, is by far the most important member of the family. Pieter Bruegel the Elder was probably born in Breda in the Duchy of Brabant, now in The Netherlands. Accepted as a master in the Antwerp painters' guild in 1551, Pieter Bruegel the Elder was apprenticed to Coecke van Aelst, a leading Antwerp artist, sculptor, architect, and designer of tapestry and stained glass. Bruegel traveled to Italy in 1551 or 1552, completing a number of paintings, mostly landscapes, there. Returning home in 1553, Pieter Bruegel the Elder settled in Antwerp but ten years later moved permanently to Brussels. Pieter Bruegel the Elder married van Aelst's daughter, Mayken, in 1563. Pieter Bruegel’s association with the van Aelst family drew Bruegel to the artistic traditions of the Mechelen (now Malines) region in which allegorical and peasant themes run strongly. Pieter Bruegel’s paintings, including Pieter Bruegel’s landscapes and scenes of peasant life, stress the absurd and vulgar, yet are full of zest and fine detail. They also expose human weaknesses and follies. Pieter Bruegel the Elder was sometimes called the "peasant Bruegel" from such works as Peasant Wedding Feast (1567).

He developed an original style that uniformly holds narrative, or story-telling, meaning. In subject matter Pieter Bruegel the Elder ranged widely, from conventional Biblical scenes and parables of Christ to such mythological portrayals as Landscape with the Fall of Icarus; religious allegories in the style of Hieronymus Bosch; and social satires. But it was in nature that Pieter Bruegel the Elder found Pieter Bruegel’s greatest inspiration. Pieter Bruegel’s mountain landscapes have few parallels in European art. Popular in Pieter Bruegel’s own day, Pieter Bruegel’s works have remained consistently popular. Bruegel died in Brussels between Sept. 5 and 9, 1569.

Pieter Brueghel the Younger (1564-1638) was the elder of two sons born just a few years before their father's death. Known as "Hell Brueghel" because of Pieter Bruegel’s fascination with hobgoblins, fires, and grotesque figures, Pieter Bruegel the Elder made Pieter Bruegel’s career in Antwerp, where Pieter Bruegel the Elder became a master in the guild in 1585. Pieter Bruegel the Elder is best known as a copyist of Pieter Bruegel’s father's paintings, as they were both popular and scarce. In Pieter Bruegel’s own canvases, such as Village Fair and The Crucifixion, Pieter Bruegel the Elder shows a firm grasp of space and movement. Pieter Bruegel’s son, Pieter Brueghel III (1589-?1640), was also known primarily as a copyist.

Jan Brueghel (1568-1625), called the "velvet Brueghel," was the second son of Pieter Bruegel the Elder and, like Pieter Bruegel’s brother Pieter Brueghel the Younger, made Pieter Bruegel’s career in Antwerp. Known for Pieter Bruegel’s still lifes of flowers and for Pieter Bruegel’s landscapes, Pieter Bruegel the Elder was a friend of Peter Paul Rubens and collaborated with him in paintings such as Adam and Eve in Paradise. Pieter Bruegel the Elder specialized in small wooded scenes that were finely finished and brightly colored. Pieter Bruegel’s style was perpetuated by Pieter Bruegel’s sons Jan Brueghel II (1601-78) and Ambrosius Brueghel (1617-75), whose sons carried on the tradition into the 18th century.

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