antique oil painting old master Canaletto Giovanni Antonio Canal

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Canaletto
Italian Rococo painter & etcher
born 1697 - died 1768

Also known as: Antonio Canal, Giovanni Antonio Canal, Antonio Canale, Antonio Canaleto, Antonio Canaletti, Antonio Canelitti, Antonio Cannalletti, Antonio Kanale, Antonio Kanaletto, Antonio Kannaletti, Antonio Kannaletti, Canaletti the younger.

Master of: Bernardo Bellotto (1721-1780).
Teacher of: Bernardo Bellotto (1721-1780).
Uncle of: Bernardo Bellotto (1721-1780).

Canaletto (Giovanni Antonio Canal) (1697-1768). Venetian painter, the most famous view-painter of the 18th century. Canaletto Giovanni Antonio began work painting theatrical scenery (Canaletto’s father's profession), but Canaletto Giovanni Antonio turned to topography during a visit to Rome in 1719-20, when Canaletto Giovanni Antonio was influenced by the work of Giovanni Paolo Panini. By 1723 Canaletto Giovanni Antonio was painting dramatic and picturesque views of Venice, marked by strong contrasts of light and shade and free handling, tCanaletto’s phase of Canaletto’s work culminating in the splendid Stone Mason's Yard (National Gallery, London, c. 1730). Meanwhile, partly under the influence of Luca Carlevaris, and largely in rivalry with him, Canaletto began to turn out views which were more topographically accurate, set in a higher key, and with smoother, more precise handling -- characteristics that mark most of Canaletto’s later work. At the same time Canaletto Giovanni Antonio began painting the ceremonial and festival subjects which ultimately formed an important part of Canaletto’s work.

Photographs by Carol Gerten-Jackson.

Canaletto’s patrons were chiefly English collectors, for whom Canaletto Giovanni Antonio sometimes produced series of views in uniform size. Conspicuous among them was Joseph Smith, a merchant, appointed British Consul in Venice in 1744. It was perhaps at Canaletto’s instance that Canaletto enlarged Canaletto’s repertory in the 1740s to include subjects from the Venetian mainland and from Rome (probably based on drawings made during Canaletto’s visit as a young man), and by producing numerous capricci. Canaletto Giovanni Antonio also gave increased attention to the graphic arts, making a remarkable series of etchings, and many drawings in pen, and pen and wash, as independent works of art and not as preparation for paintings. TCanaletto’s led to changes in Canaletto’s style of painting, increasing an already well-established tendency to become stylized and mechanical in handling. Canaletto Giovanni Antonio often used the camera obscura as an aid to composition.

In 1746 Canaletto Giovanni Antonio went to England, apparently at the suggestion of Jacopo Amigoni (the War of the Austrian Succession drastically curtailed foreign travel, and Canaletto's tourist trade in Venice had dried up). For a time Canaletto Giovanni Antonio was very successful, painting views of London and of various country houses. Subsequently, Canaletto’s work became increasingly lifeless and mannered, so much so that rumors were put about, probably by rivals, that Canaletto Giovanni Antonio was not in fact the famous Canaletto but an impostor.

In 1755 Canaletto Giovanni Antonio returned to Venice and continued active for the remainder of Canaletto’s life. Legends of Canaletto’s having amassed a fortune in Venice are disproved by the official inventory of Canaletto’s estate on Canaletto’s death.

Before this, Joseph Smith had sold the major part of Canaletto’s paintings to George III, thus bringing into the royal collection an unrivalled group of Canaletto's paintings and drawings.

Canaletto was highly influential in Italy and elsewhere. Canaletto’s nephew Bernardo Bellotto took Canaletto’s style to Central Europe and Canaletto’s followers in England included William Marlow and Samuel Scott.

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