Charles-François DaubignyToperfect Art supplies Daubigny biography and painting knowledge, this is useful for painters and art fans.Our art gallery not only supply high-quality Charles-François Daubigny oil painting reproduction for sale, but also sell Barbizon oil paintings classic. The famous artists in our art company are good at on canvas Daubigny paintings reproductions and other beautiful painting wholesale in museum quality such as Barbizon school, landscape art, landscapes. |
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Charles-François Daubigny Paintings and Biography |
Charles-François Daubigny Paintings
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Charles-François Daubigny BiographyFrench Barbizon School painter, etcher, lithographer, printmaker & woodcutterborn 15 February 1817 - died 19 February 1878 Student of:
Jacques Raymond Brascassat
(1804-1867) from 1831 to 1832,
Edmé-François Daubigny
(1789-1843),
Paul Delaroche (1797-1856) in
1840. |
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Knight of: Légion d'Honneur
(from 1859). |
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| But the personal encouragement of his admirers in England made up for the disappointment, and the sale of Charles-François Daubigny painting to a Royal Academician greatly pleased him. In. 1870—1871 he again visited London, and subsequently Holland, where he painted a number of river scenes with windmills. In 1874, having returned to Paris, Daubigny fell ill, and from that time until he died (on the 19th of February 1878) Charles-François Daubigny painting won less distinction than before. In 1904 the municipality of Auvers-sur-Oise decided to erect a bronze monument to his memory. |
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| The finest Charles-François Daubigny paintings were painted between 1864 and 1874, and these for the most part consist of carefully completed landscapes with trees, river and a few ducks. It has curiously been said, yet with some appearance of truth, that when Daubigny liked his paintings himself added another duck or two, so that the number of ducks often indicates greater or less artistic quality in his pictures. One of his sayings was, “The best pictures do not sell,” as he frequently found his finest achievements little understood. Yet although during the latter part of his life he was considered a highly successful painter, the money value of Charles-François Daubigny paintings since his death has increased nearly tenfold. Daubigny is chiefly preferred in his riverside pictures, of which he painted a great number, but although there are two large landscapes by Charles-François Daubigny in the Louvre, neither is a river view. They are for that reason not so typical as many of his smaller Oise and Seine pictures. | |||||||
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In the Daubigny paintings, like Corot’s, to be found in
many modern collections. His most ambitious
canvases are: Springtime (1857), in the
Louvre; Borde dela Cure, Morvan (1864);
Villerville sur Mer (1864); Moonlight
(1865); Andrésy sur Oise (1868); and Return
of the Flock — Moonlight (1878). His followers and pupils were his son Karl (who sometimes painted so well that his works are occasionally mistaken for those of his father, though in few cases do they equal his father’s mastery), Oudinot, Delpy and Damoye. |
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