Chinese arts-traditional painting & calligraphy

Fine arts' video of famous Chinese painting workshop Toperfect arts, supplier of reproductions & originals of Chinese traditional painting and calligraphy on paper.

Toperfect, the terminal to your hard journey of searching for arts suppliers!

Toperfect oil painting Originals
original fairy by Toperfect
original classical by Toperfect
abstract oil paintings originals by Toperfect
decorative painting original by Toperfect
realistic-photographic original by Toperfect
cowboy western art original by Toperfect
oil paintings on Board
Portrait oil painting from Photograph
Museum Quality Reproduction by Famous Artists
High Quality Samples
Acrylic Painting on Canvas
Watercolor & water color Painting
Chinese Traditional Painting & calligraphy
Stretcher Bar - stretched oil painting

Framed oil painting
Laconic Modern picture frame
Corner-flower painting Frame
Polystyrene Frame
Spray Frame
Wood Carving Frame
New Antique Corner frame
Gold and Silver Foil Frame
Liner frame
Log picture frame
Resin photo&painting Frame
Shell Frame Box
Metal Picture Frame & Mirror Frame

Photographic Frame
Photographic Leather Frame
PU Frame
Pure Wood Frame

Painted Porcelain

oil painting Wild Animals
animal sheep and deer oil painting
animal pets children
animal oil paintings
animal horse oil painting
animal fowl
animal pets
animal elephant
animal dog oil painting
animal cat
animal bird
animal rabbit

Chinese oil painting
Chinese like watercolor
China country
Chinese oil paintings abstract
China Chen Yifei

classical Rococo
classical battleship-warship
classical landscapes oil painting
classical scenery boat
classical floral oil painting flowers
classical hunting
classic Arabic-Arabian

commercial home-decoration
commercial sprinkled
commercial J. Roybal
commercial oil paintings
commercial street scenery oil painting
commercial fruits
commercial lady
commercial Free hand
commercial Ding Shaoguan
Xmas carlin
Xmas Doll
Xmas Fairy
Christmas oil paintings
Christmas acrylic painting
Santa Claus

impressionism oil paintings by knife
impressionism figures
impressionism children
impressionism Indiana Cowboy
impressionism lady girl
impressionism sports
impressionism flower oil painting
Color dotted_stripple Thomas Kincade
impressionism dockscape marine oil paintings
outside_extraventricular landscape
impressionism garden
impressionism mediterranean sea
impressionism thick-paints
impressionism snow scenery
impressionism waterscape
impressionism classical Venice oil painting
impressionism Contemporary Street
modern impressionism Venice
impressionism Street scenery
impressionism shop
impressionism Paris street scenes oil painting

modern design car
modern design fantastic oil painting
modern design garment
modern design historic site
modern design indoor
modern design popular
modern design scenery oil paintings
modern design wine

modern western art
modern oil painting
Fernando Botero oil paintings reproduction
Tamara de Lempicka
modern Coloring vivid
modern Decorative oil painting
modern outdoor scenes
modern indoor scenes oil painting
Modern mountains landscape
modern landscape
Realistic monochrome B&W flower
Realistic photograph flower
decorative floral oil painting
modern Seabed world

monochrome BW nude oil painting
realistic Nude
Impressionism nude
realistic nude photograph
classical Nude
Chinese oil paintings nude

Particular scenery

Sculpture-like

Realistic still life oil painting
Impressionism still life
classical still life

abstract oil painting
abstract landscape-illustration
abstract figure
Pablo Picasso oil paintings abstract
Miro’s abstract
Henri Matisse’s abstract

Chinese traditional painting & calligraphy

View artworks' pictures of Chinese traditional painting & calligraphy

You are welcome to send us your own pictures to copy.
Specially for private user and collector, you're suggested to try our Best Quality by famous artists in China.

本站文案版权所有, 并保留撰写草稿，侵权盗用者必被诉诸法律。
The copyright of scripts in this website is owned by Toperfect. Toperfect reserves the manual scripts of original version. Toperfect will take appropriate legal action in the piracy and infringements of copyright.

An important part of the country's cultural heritage, the traditional Chinese painting is distinguished from Western art in that it is executed on xuan paper (or silk) with the Chinese brush, Chinese ink and mineral and vegetable pigments.
To attain proficiency in this branch of art calls for assiduous exercise, a good control of the brush, and a feel and knowledge of the qualities of xuan paper and Chinese ink.
Before setting a brush to paper, the painter must conceive a well-composed draft in his mind, drawing on his imagination and store of experience, Once he starts to paint, he will normally have to complete the work at one go, denied the possibility of any alteration of wrong strokes.

Xuan paper, as discussed in a previous article, is most suitable for Chinese painting. It is of the right texture to allow the writing brush wet with Chinese ink and held in a trained hand, to move freely on it, making strokes varying from dark to light, from solid to hollow. These soon turn out to be human figures, plants and flowers, birds, fish and insects, full of interest and life.
Many a Chinese painter is at the same time a poet and calligrapher. He will often add a poem in his own hand on the painting, which invariably carries an impression of his seal. The resulting piece of work is usually an integrated whole of four branches of Chinese art-- poetry, calligraphy, painting and seal-cutting.

Chinese paintings are divided into two major categories: free hand brushwork (xieyi) and detailed brushwork (gongbi) . The former is characterized by simple and bold strokes intended to represent the exaggerated likenesses of the objects, while the latter by fine brushwork and close attention to detail. Employing different techniques, the two schools try to achieve the same end, the creation of beauty.
It is difficult to tell how long the art of painting has existed in China. Pots of 5,000-6,000 years ago were painted in colour with patterns of plants, fabrics, and animals, reflecting various aspects of the life of primitive clan communities. These may be considered the beginnings of Chinese painting.

China entered the slave society about 2000 B.C. Though no paintings of that period have ever come to light, that society witnessed the emergence of a magnificent bronze culture, and bronzes can only be taken as a composite art of painting and sculpture.
In 1949 from a tomb of the Warring States Period (475-221 B. C.) was unearthed a painting on silk of human figures, dragons and phoenixes. The earliest work on silk ever discovered in China, it measures about 30 cm long by 20 cm wide.
From this and other early paintings on silk it may be easily seen that the ancients were already familiar with the art of the writing or painting brush, for the strokes show vigour or elegance whichever was desired. Paintings of this period are strongly religious or mythological in themes.

Paintings on paper appeared much later than those on silk for the simple reason that the invention of silk preceded that of paper by a long historical period.
In 1964, when a tomb dating to the Jin Dynasty (265- 420 A. D) was excavated at Astana in Turpan, Xinjiang, a coloured painting on paper was discovered. It shows, on top, the sun, the moon and the Big Dipper and, below, the owner of fan in his hand. A portrayal in vivid lines of the life of a feudal land-owner, measuring 106.5 cm long 47 cm high, it is the only known painting on paper of such antiquity in China.

Traditional Chinese Painting
An important part of the country's cultural heritage, the traditional Chinese painting is distinguished from Western art in that it is executed on xuan paper (or silk) with the Chinese brush, Chinese ink and mineral and vegetable pigments.
To attain proficiency in this branch of art calls for assiduous exercise, a good control of die brush, and a feel and knowledge of the qualities of xuan paper and Chinese ink.

Before setting a brush to paper, the painter must conceive a well-composed draft in his mind, drawing on his imagination and store of experience. Once he starts to paint, he will normally have to complete the work at one go, denied the possibility of any alteration of wrong strokes.
Xuan paper, is most suitable for Chinese painting. It is of the right texture to allow the writing brush, wet with Chinese ink and held in a trained hand, to move freely on it, making strokes varying from dark to light, from solid to hollow. These soon turn out to be human figures, plants and flowers, birds, fish and insects, full of in-terest and life. Pls let us know if you also want picture frame for traditional painting, picture frame for Chinese traditional painting, picture frame for traditional paintings, picture frame for Chinese traditional paintings, picture frame for calligraphy, picture frame for Chinese calligraphy, picture frame for traditional calligraphy, picture frame for Chinese traditional calligraphy, picture frame for Chinese painting, picture frame for Chinese paintings.
Chinese paintings are divided into two major categories: free hand brushwork (xieyi) and detailed brushwork (gongbi). The former is characterized by simple and bold strokes intended to represent the exaggerated likenesses of the objects, while the latter by fine brushwork and close attention to detail. Employing different techniques, the two schools try to achieve the same end, the creation of beauty
Traditional Chinese Calligraphy
Calligraphy is understood in China as the art of writing a good hand with the brush or the study of the rules and techniques of this art. As such it is peculiar to China and the few countries influenced by ancient Chinese culture.
In the history of Chinese art, calligraphy has always been held in equal importance to painting. Great attention is also paid today to its development by holding exhibitions of ancient and contemporary works and by organizing competitions among youngsters and people from various walks of life. Sharing of experience in this field often makes a feature in Sino-Japanese cultural exchange.
Chinese calligraphy, like the script itself, began with the hieroglyphs and, over the long ages of evolution, has developed various styles and schools, constituting an important part of the heritage of national culture.
Chinese scripts are generally divided into five categories: the seal character (zhuan), the official or clerical script (li), the regular script (kai), the running hand (xing) and the cursive hand (cao).
1) The Zhuan script or seal character was the earliest form of writing after the oracle inscriptions, which must have caused great inconvenience because they lacked uniformity and many characters were written in variant forms. The first effort for the unification of writing, it is said, took place during the reign of King Xuan (827-782 B.C.) of the Western Zhou Dynasty, when his taishi (grand historian) Shi Zhou compiled a lexicon of 15 chapters, standardizing Chinese writing under script called zhuan. It is also known as zhouwen after the name of the author. This script, often used in seals, is translated into English as the seal character, or as the "curly script" after the shape of its strokes.
2) The lishu (official script) came in the wake of the xiaozhuan in the same short-lived Qin Dynasty(221-206B.C.). This was because the xiaozhuan, though a simplified form of script, was still too complicated for the scribers in the various government offices who had to copy an increasing amount of documents. Cheng Miao, a prison warden, made a further simplification of the xiaozhuan, changing the curly strokes into straight and angular ones and thus making writing much easier. A further step away from the pictographs, it was named lishu because li in classical Chinese meant "clerk" or "scriber". Another version says that Cheng Miao, because of certain offence, became a prisoner and slave himself; as the ancients also called bound slaves "li", so the script was named lishu or the "script of a slave".
3) The lishu was already very close to, and led to the adoption of, kaishu, regular script. The oldest existing example of this dates from the Wei (220-265), and the script developed under the Jin (265-420).The standard writing today is square in form, non-cursive and architectural in style.The characters are composed of a number of strokes out of a total of eight kinds-the dot, the horizontal, the vertical, the hook, the rising, the left-falling (short and long) and the right-falling strokes. Any aspirant for the status of calligrapher must start by learning to write a good hand in kaishu.
4) On the basis of lishu also evolved caoshu (grass writing or cursive hand), which is rapid and used for making quick but rough copies. This style is subdivided into two schools: zhangcao and jincao. The first of these emerged at the time the Qin was replaced by the Han Dynasty between the 3rd and 2nd centuries B.C. The characters, though written rapidly, still stand separate one from another and the dots are not linked up with other strokes. It's also beautiful for fine traditional painting, fine Chinese traditional painting, fine traditional paintings, fine Chinese traditional paintings, fine calligraphy, fine Chinese calligraphy, fine traditional calligraphy, fine Chinese traditional calligraphy, fine Chinese painting, fine Chinese paintings.
It is the essence of the caoshu, especially jincao, that the characters are executed swiftly with the strokes running together. The characters are often joined up, with the last stroke of the first merging into the initial stroke of the next. They also vary in size in the same piece of writing, all seemingly dictated by the whims of the writer.

5) The xingshu or running hand is something between the regular and the cursive scripts. When carefully written with distinguishable strokes, the xingshu characters will be very close to the regular style; when swiftly executed, they will approach the caoshu or cursive hand. Chinese masters have always compared with vivid aptness the three styles of writing-kaishu, xingshu and caoshu-to people standing, walking and running.
The best example and model for xingshu, all Chinese calligraphers will agree, is the Inscription on Lanting Pavilion in the hand of Wang Xizhi (321-379) of the Eastern Jin Dynasty.

For FULL catalogue pls click "Catalogue" at the TOP of the page.

Some content of this website is editted from media materials, and if there is some copyright problem please contact us.