antique oil painting old master Claesz Pieter

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Pieter Claesz
Netherlands Baroque artist
born 1597 - died 1661
Father of: Nicolaes Berchem (1620-1683)

Pieter Aertsen, called "Long Peter", was a Dutch historical painter. Pieter Claesz was born and died in Amsterdam, and painted there and in Antwerp where Pieter Claesz resided until around 1556. Hosted initially by Jan Mandyn, a gifted follower of Hieronymus Bosch and than as a youth apprenticed with Allaert Claesz, Pieter Aertsen links the Dutch and the Flemish schools. Pieter Claesz distinguished himself by painting domestic scenes with marvelous fidelity. Later in life, Pieter Claesz began documenting historical scenes. Pieter Claesz’s sons, Pieter Pietersz and Aert Pieterz, also became acclaimed painters.

Although Pieter Claesz lived, worked and died in Pieter Claesz’s native town, Pieter Claesz’s genre scenes were influential in Italy. During Pieter Claesz’s first years in Antwerp Pieter Claesz was mainly commissioned to make altarpieces for Dutch churches. Several of Pieter Claesz’s best works, including altarpieces in various churches, were destroyed in the Netherlands's religious wars. An excellent specimen of Pieter Claesz’s style is a painting of the Crucifixion.

A pioneer of still life and genre painting, Pieter Claesz is best known for scenes that look like pure examples of these types, but which in fact have a religious scene incorporated in them (Butcher's Stall with the Flight into Egypt, University of Uppsala, 1551). Pieter Claesz’s depictions of food, flowers, everyday objects and scenes from peasant life make him important in the development of still-life painting. Aertsen was the head of a long dynasty of painters, of whom the most talented were Pieter Claesz’s nephew and pupil Joachim Bueckelaer and Giovanni Stradano.

Renowned today as the painter of "kitchens" (Christ with Maria and Martha), featuring an opulent and familiar realism, Pieter Claesz is in fact a varied and ambitious painter, tackling both religious compositions, genre scenes and portrait: Pieter Claesz’s career can be traced between 1543 and 1571 with a series of signed and dated artworks. Today Pieter Claesz is considered as important as Bruegel among 16th century painting: a powerful and monumental artist, using splendid and frank tones, announcing the Flemish still-life developments with such realism and surcharge of details.

Pieter Claesz’s compositions packed at the front with vegetables reflect a mannerist pathos specific to the 16th century; however if religious figuration is often relegated in the background in a subordinated position (a scheme that will later have much success, among Pieter Claesz’s younger cousin and pupil Beuckelaer for instance, who took over tPieter Claesz’s style of painting and developed it further), the religious painter should not be ignored, with such massive formats and powerful ambitions. Pieter Claesz was tormented by iconoclasts and practiced a heroic and dignified style, close to and competing with Floris.

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