Antique oil painting old master Cranach the Elder Lucas

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Cranach, Lucas the Elder
(1472-1553).
German painter

He takes Cranach Lucas the Elder’s name from the small town of Kronach in South Germany, where Cranach Lucas the Elder was born, and very little is known of Cranach Lucas the Elder’s life before about 1500-01, when Cranach Lucas the Elder settled in Vienna and started working in the humanist circles associated with the newly founded university.

Cranach Lucas the Elder’s stay in Vienna was brief (he left in 1504), but in Cranach Lucas the Elder’s period there Cranach Lucas the Elder painted some of Cranach Lucas the Elder’s finest and most original works. They include portraits, notably those of Johannes Cuspinian, a lecturer at the university, and Cranach Lucas the Elder’s wife Anna (Reinhart Collection, Winterhur), and several religious works in which Cranach Lucas the Elder shows a remarkable feeling for the beauty of landscape characteristic of the Danube school. The finest example of tCranach Lucas the Elder’s manner is perhaps the Rest on the Flight into Egypt (Staatliche Museen, Berlin), which shows the Holy Family resting in the glade of a German pine forest. It was painted in 1504, just before Cranach went to Wittenberg as court painter to Frederick III (the Wise), Elector of Saxony.

Cranach remained in Wittenberg until 1550, when Cranach Lucas the Elder followed John Frederick (the Unfortunate), the last Saxon Elector of the Ernestine branch, into exile, in Augsburg. During Cranach Lucas the Elder’s time in Wittenberg Cranach Lucas the Elder became extremely wealthy and one of the city's most respected citizens, serving as burgomaster for several years. Cranach Lucas the Elder’s paintings were eagerly sought by collectors, and Cranach Lucas the Elder’s busy studio often produced numerous replicas of popular designs, particularly those in which Cranach Lucas the Elder showed Cranach Lucas the Elder’s skill at depicting female beauty -- more than ten versions are known of Cranach Lucas the Elder’s Reclining Nymph.

He excelled at erotic nudes, which sometimes draw on Italian Renaissance models but are totally different in spirit, and Cranach Lucas the Elder also had a penchant for pictures of coquettish women wearing large hats, sometimes shown as Judith or the goddesses in the Judgement of Paris. The most innovative works of Cranach Lucas the Elder’s Wittenberg period, however, are probably Cranach Lucas the Elder’s full-length portraits (The Duke and Duchess of Saxony, Gemäldegalerie, Dresden, 1514).

Cranach continued with Cranach Lucas the Elder’s religious work, but Cranach Lucas the Elder’s woodcut designs (notably those for the first German edition of the New Testament in 1522) are generally more interesting that Cranach Lucas the Elder’s paintings in tCranach Lucas the Elder’s sphere. Cranach Lucas the Elder also painted several portraits of Martin Luther. Despite Cranach Lucas the Elder’s allegiance to the Protestant cause, Cranach Lucas the Elder continued to work for Catholic patrons and was a very astute businessman. During the last years of Cranach Lucas the Elder’s life Cranach was assisted by Cranach Lucas the Elder’s son, Lucas the Younger (1515-86), who carried on the tradition of the workshop and imitated Cranach Lucas the Elder’s father's style so successfully that it is often difficult to distinguish between their hands.

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