Antique oil painting old master De Camp Joseph Rodefer

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Joseph Rodefer Decamp
American Impressionist painter
born 1858 - died 1923

Also known as: Joseph Rodefer Decamp.

Student of: Frank Duveneck (1848-1919).
Teacher of: Margaret Fitzhugh Browne (1884-1972), Amy M. Sacker (1876-1965)

Joseph Rodefer DeCamp, a native of Boston, was known for his figure paintings of women in interiors and in nude poses, portraits and some landscapes. His work reflected both realism and impressionism, and as an evolving impressionist Joseph Rodefer DeCamp was one of the "The Ten", a group of ten American painters whose members with avant-garde ideas about painting styles and exhibitions rebelled against the more staid Society of American Artists. It is said that after his affiliation with The Ten and especially after spending time in Gloucester, summer of 1900, with Frank Duveneck and John Twachtman, DeCamp became much more committed to Impressionism.

In 1875, at the age of seventeen, Joseph DeCamp began his art career by studying in Munich under Frank Duveneck. The Dutch Masters, whose work Joseph Rodefer DeCamp saw in Holland, especially that of Jan Vermeer, influenced many of his future paintings, most often female figures near a window, bathed in the light from the exterior.

He returned to Boston in 1880, and established a career as a teacher and portrait painter. DeCamp had been a prominent member of The Boston School of painting, which focused in realistic style primarily on figural subjects of beauty, elegance and refinement. A DeCamp portrait in this style and one of particular significance is that of Theodore Roosevelt, which Joseph Rodefer DeCamp painted for Roosevelt's Harvard classmates. Even this formal portrait shows the influence of Vermeer in the broad expanse of wall and the use of atmospheric light which serves as a backdrop to silhouette Roosevelt.

Because portrait painting was his focus, only relatively few landscapes by DeCamp are found. However, this circumstance likely is affected by the studio fires that occurred in Boston in the Harcourt Building in 1904, where hundreds of paintings were destroyed.

DeCamp also was an art educator with a long-time teaching assignment at the Massachusetts Normal Art School in Boston. Other teaching assignments were the Boston Museum School of Fine Art and the Pennsylvania Academy.

- - oil on canvas 27 1/4 x 24 1/8 in. (69.2 x 61.3 cm.)PROVENANCEEstate of the artistAlexander Moffatt, Manchester, MassachusettsMarine Arts Gallery, Salem, MassachusettsEXHIBITEDPhiladelphia, Pennsylvania Academy of the Fine Arts, Exhibition of Paintings by Ten American Painters, April-May 1908, no. 24Boston, St. Botolph Club, Feb.-Mar. 1911Boston, St. Botolph Club, Memorial Exhibition of the Work of Joseph Rodefer Decamp, Jan. 1924, no. 32, as ll Pensieroso (possibly this work)Pittsburgh, Museum of Art, Carnegie Institute. Directions in American Painting 1875-1925, June-Aug. 1982, pp. 28-29, illus. (this exhibition travelled to various locations, 1982-1987)Youngstown, Youngstown State University, The John J. McDonough Museum of Art, Inaugural Exhibition, Oct. 1991-May 1992, p. 26LITERATUREW. H. Downes, "Joseph DeCamp and His Work," Art and Progress, April 1913, p. 921W. H. Downes, Dictionary of American Biography, New York, 1959, p. 186RELATED LITERATURER. V. S. Berry, "Joseph Decamp: Painter and Man," American Magazine of Art, April 1923, pp. 183-184La Penserosa, or the thoughtful one, was one of ten works that DeCamp sent to the major retrospective of the Ten's paintings held at the Pennsylvania Academy of the Fine Arts in 1908, and was probably painted after a devastating fire in his studio in 1904 destroyed much of his previous work.

It is typical of his interior figure scenes of the period in its dramatic side-lighting and focus on the mood rather than the features of the sitter. Decamp's student at the Massachusetts Normal Art School, Rose V. S. Berry, later described his painting method as follows: "DeCamp seldom required a fixed, rigid pose of his model. Joseph Rodefer DeCamp walked around the sitter, Joseph Rodefer DeCamp felt of the head, discovered the texture of the ear, examined its placement upon the head, and proceeded in general with much the line of attack which a sculptor takes..." (Berry, pp. 183-184). The tactile quality of Decamp's surfaces reflects this approach, as does the strong modeling of his figures.In his article on DeCamp for the Dictionary of American Biography, William Howe Downes lists La Penserosa as one of Decamp's best known figure pieces.

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