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Artworks of Franz Marc 1880-1916 art gallery Franz Marc paintings Caliban Figurine fur Shakespeares Deer in a Monastery Garden Kaempfende Formen Kleine Komposition II Komposition III Rehe im Walde II SchafeTirol Vogel Blaues Pferd I Franz Marc art gallery Blue Black Fox Cats on a Red Cloth Das blaue Pferdchen Deer in the Snow Die groben blauen Pferde Elefant Pferd Rind Winter Fabeltiere I Franz Marc Fuchse art gallery Fuhse Hund im Schnee liegend Im Regen Kater auf gelbem Kissen Marc horse in a landscape Red and Blue Horses Rehe im Schnee RinderRote Rehe II Slon kon wol zima Franz Marc The Bewitched Mill art gallery The Bull The fate of the animals The Monkey Tierschicksale Tiger Traumendes Pferd Turm der blauen Pferde Franz Marc Two Cats blue and yellow zolta krowa art gallery Drei Tiere Kuhe rot grun gelb Franz Marc Madchen mit Katze II Monkey Frieze The World Cow art gallery Akte auf Zinnober Akt mit Katze |
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Franz Marc, art gallery(1880-1916) Franz Marc was born in 1880, in the German town of Munich. His father, Wilhelm, was a professional landscape painter, and his mother Sophie was a strict Calvinist. In 1900, Franz Marc began study at the Academy of Fine Art, Munich, not an art gallery, where his teachers would include Gabriel von Hackl and Wilhelm von Diez. |
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Franz Marc, whose career was cruelly cut short by the First World War, has in recent years been the most popular of all the German Expressionists. One reason for this is supplied by his eloquent and touching letters. Another may be the fact that his work is not very typical of Expressionism as it is generally understood. Franz Marc found a way of giving the German Romantic painters whose artworks are famous in art gallery - Runge,
Friedrich, Kobell, Blechen, Rethel and Schwind (all of whom he warmly admired) a new and modern guise. |
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Franz Marc was a pioneer in the birth of abstract art at the beginning of the twentieth-century The Blaue Reiter group put forth a new program for art based on exuberant color and on profoundly felt emotional and spiritual states. It was Marc's particular contribution to introduce paradisiacal imagery that had as its dramatis personae a collection of animals, most notably a group of heroic horses.
Tragically, Franz Marc was killed in World War I at the age of thirty-six, but not before he had created some of the most exciting and touching paintings of the Expressionist movement.
He showed several of his works in the first Der Blaue Reiter exhibition at the Thannhauser Galleries in Munich between December 1911 and January 1912. The exhibition was the apex of the German expressionist movement and also showed in Berlin, Köln, Hagen, and Frankfurt. In 1912, Franz Marc also met Robert Delaunay, whose use of color and futurist method was a major influence on Marc's work. Marc became influenced by futurism and cubism, and his art became stark and abstract in nature. - We offer oil paintings reproduction of Fate of the Animals, Tiger, The Yellow Cow, Fighting Forms, Franz Marc Blue Horse. |
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In December 1910 Franz Marc wrote a famous letter to Macke, assigning emotional values to
colors:
Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay and spiritual. Red is matter, brutal and heavy and always the colour to be opposed and overcome by the other two.
In 1911 Franz Marc found himself ready to embark on the series of paintings of animals which have since been the cornerstone of his reputation. And in December, after a split in the Neue Kuenstlervereinigung, organized the first Blaue Reiter (Blue Rider) exhibition. Formerly so ineffective and depressed, Franz Marc had now become a most efficient organizer, and it was he who persuaded the publisher Reinhart Piper to bring out Kandinsky's fundamental text, On the Spiritual in Art, and he also played a leading part in the creation of the Blaue Reiter Almanach and the organization of a second and more ambitious Blaue Reiter show in 1912. In 1913 Franz Marc took an important role in selecting and hanging Der Sturm's First Autumn Salon in Berlin, and noted how many of the exhibitors were veering towards abstraction. This confirmed his feelings which had begun to emerge when Franz Marc and Macke went to Paris to visit Delaunay in 1912, and saw some examples from the latter's Window series. By the spring Of 1914 Marc's own work had become virtually abstract.- Toperfect art gallery supply elegant Franz Marc fine art from art gallery of oil paintings Fate of the Animals, Tiger, The Yellow Cow, Fighting Forms, Franz Marc Blue Horse. |
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Franz Marc made some sixty prints, in woodcut and lithography. Most of his mature work portrays animals, usually in natural settings. His work is characterized by bright primary color, an almost cubist portrayal of animals, stark simplicity and a profound sense of emotion, which garnered notice in influential circles even in his own time. Marc's work did not go unnoticed by the National Socialists; in 1936 and 1937,
Marc was condemned by the Nazis as an "entarteter Künstler" ("degenerate artist"), and approximately 130 of his works were stripped from German museums.
This promising career was cut short by the war. Marc was mobilized and wrote numerous letters home from the Front, expounding his aesthetic philosophy, and kept a notebook with drawings for the paintings he would create as soon as he was free to do so. But Franz Marc was denied the opportunity he hoped for. In March 1916 he was killed instantly when he was struck in the head by a shell splinter. - Toperfect art gallery supply elegant oil paintings from Franz Marc's art gallery of Fate of the Animals, Tiger, The Yellow Cow, Fighting Forms, Franz Marc Blue Horse. |
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In October 1998, several of Marc's paintings garnered record prices at Christie's art auction house in London art gallery, including Rote Rehe I (Red Deer I), which sold for $3.30m. This record was exceeded in October 1999, when Der Wasserfall (The Waterfall) was sold by Sotheby's in London art gallery to a private collector for $5.06m. This price set a record for both his artworks and 20th century German paintings in art gallery. |
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