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Artworks of oil painting old
master Hendrick Avercamp Holland 1585-1634 0 A Scene On The Ice 0 A Scene On The Ice Near A Town 0 A Scene On The Ice Near A Town 1615 0 Hendrick Avercamp Ice Landscape by Netherlands oil painting old paintings artist 0 Ice Scene 1 0 Ice Scene 2 0 Skaters 0 Hendrick Avercamp Winter by Netherlands oil painting old paintings artist |
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0 Winter Landscape 0 Winter Landscape 2 0 Winter Landscape 3 0 Hendrick Avercamp Winter Landscape With Skaters by Netherlands oil painting old paintings artist 0 Winter Scene At Yselmuiden 0 Winter Scene On A Canal 5 River Landscape 6 Hendrick Avercamp Fishermen By Moonlight by Netherlands oil painting old paintings artist |
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| Old oil painting artist Hendrick Avercamp |
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Hendrick Avercamp Also known as: Hendrick Berentsz. de Stom van Kampen Avercamp, Hendrick Berentsz. de Stomme van Kampen Avercamp, Hendrik Avercamp, Hendrick de Stom tot Campen, Hendrick Stom tot Campen, Hendrick Stom van Campen, Hendrick Stomme van Campen, Hendrick van Campen, Hendrick Vander Stom. |
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Dutch painter, active in
Kampen, the most famous exponent of the
winter landscape. Hendrick Avercamp was deaf and dumb and
known as de Stomme van Kampen (the mute of
Kampen). As one of the first landscape
painters of the 17th-century Dutch school,
Avercamp links the archaic decorative
conception of Flemish origins and the new
realist and objective ambitions developped
in Holland by Essaias van de Velde and Jan
van Goyen. His paintings are colorful and
lively, with carefully observed skaters,
tobogganers, golfers, and pedestrians.
his work enjoyed great popularity and
Hendrick Avercamp sold his drawings, many of which are
tinted with water-color, as finished
pictures to be pasted into the albums of
collectors (an outstanding collection is at
Windsor Castle). His nephew and pupil Barent
Avercamp (1612-79) carried on his style in
an accomplished manner. |
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During his apprenticeship in Amsterdam,
Hendrick Avercamp came under the influence of the
Flemish painters of mannerist landscapes who
were then living in the city (emigrated for
religious reasons at the end of the 16th
century), notably Gillis van Coninxloo
(1544-1607) and David Vinckboons
(1576-1630/1633). It has been suggested on
stylistic grounds that Vinckboons may have
been another of his teachers, but no
documentation of such a relationship exists.
From his earliest works, however--the first dated examples of which come from 1601--his style is quite individual, and is most strongly connected not with any Amsterdam trends, but with the work of the minor Kampen artist Gerrit van der Horst (1581/1582-1629). By 28 January 1614 Avercamp was back in Kampen, where Hendrick Avercamp seems to have remained until his death in May 1634. There, in relative isolation from the mainstreams of Dutch art, Avercamp devoted himself almost entirely to the painting of winter scenes, and specifically to depictions of crowds of people engaging in a wide range of activities on frozen rivers. Such scenes were a popular theme as early as the 16th century among Pieter I and Pieter II Bruegel, the Grimmer and the Valckenborch, Gillis Mostaert and Sébastien Vranck. |
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his early landscapes have a
predominantly narrative quality, including
numerous rather daring anecdotes. His style
can be characterized by a high horizon,
vivid and chatoyant colors distributed all
over the painting, tree branches drawn over
the snow or the sky, an archaic sense of
perspective and a taste for circular formats
focusing on the layout of the depicted
scenes. As with Adriaen-Pietersz van de
Venne, his little people are depicted in
black over a white background and are busy
each with a slightly different daily task. -
Hendrick Avercamp oil painting Netherlands
old paintings - Hendrick Avercamp oil
painting Netherlands, old oil painting
Hendrick Avercamp Bio by old oil paintings
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Netherlands oil paintings artists. In later years, atmosphere became important in his work. The horizon was brought down. As with Van Goyen, circular frames were progressively replaced with rectangular ones with a large width, a popular format among the 1620-30 painters such as Dirck Hals, Codde, Duck or Duyster. Avercamp had no important direct followers, although his nephew Barent Avercamp (c. 1612-1679) was his pupil and imitated him heavily (one of his paintings is in the Louvre, in the Croy collection), as were Arent Arentsz. (called Cabel) (1585/1586-1635) and Dirck Hardenstein II (1620-after 1674). Adam van Breen's style was so close from his that their artworks are often confused (an example is at the Louvre). Christoffel van Berghe (the mysterious C.V.B.) was active in Middelburg and has a similar painting exhibited in the Mayer van den Bergh Museum in Antwerp. |
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