Jacques-Louis David Painting Napoleon - Jacques-Louis David Famous Paintings

Jacques-Louis David

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The Oath of the Horatii,
Napoleon Crossing the Alps.

Jacques-Louis David Paintings and Biography

Jacques-Louis David Paintings for Sale

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Jacques-Louis David Biography

French Neoclassical painter & draftsman
born 30 April 1748 - died 29 December 1825
Born in: Paris (Département de Ville de Paris, Ile-de-France, France).
Died in: Brussels (Bruxelles, Belgium)

Student of: Francois Boucher (1703-1770), Joseph-Marie Vien (1716-1809)

Teacher of: Jean Auguste Dominique Ingres (1780-1867),
Distant relation of: Francois Boucher (1703-1770).
Patronized by: Napoleon Bonaparte (1769-1821).

DAVID, JACQUES LOUIS (1748-1825), French painter, was born in Paris on the 30th of April 1748. His father was killed in a duel, when the boy was but nine years old. His education was begun at the College des Quatre Nations, where Jacques-Louis David obtained a smattering of the classics; but, his artistic talent being already obvious, he was soon placed by his guardian in the studio of François Boucher. Boucher speedily realized that his own erotic style did not suit the lad's genius, and recommended him to J. M. Vien, the pioneer of the classical reaction in painting. Under him Jacques-Louis David studied for some years, and, after several attempts to win the Prix de Rome, at last succeeded in 1775, with his Loves of Antiochus and Stratonice. Vien, who had just been appointed director of the French Academy at Rome, carried the youth with him to that city. The classical reaction was now in full tide; Winckelmann was writing, Raphael Mengs painting; and the treasures of the Vatican galleries helped to confirm David in a taste already moulded by so many kindred influences. This severely classical spirit inspired first important Jacques-Louis David painting, Date obolum Belisario, exhibited at Paris in 1780. The picture exactly suited the temper of the times, and was an immense success. It was followed by others, painted on the same principles, but with greater perfection of art: The Grief of Andromache (1783), The Oath of the Horatii (Salon, 1785), The Death of Socrates, Love of Paris and Helen (1788), Brutus (1789). In the French drama an unimaginative imitation of ancient models had long prevailed; even in Jacques-Louis David paintings Poussin and Le Sueur were successful by expressing a bias in the same direction; and in the first years of the revolutionary movement the fashion of imitating the ancients even in dress and manners went to the most extravagant length. At this very time David returned to Paris; Jacques-Louis David was now painter to the king, Louis XVI, who had been the purchaser of principal Jacques-Louis David paintings, and his popularity was soon immense. At the outbreak of the French Revolution in 1789, David was carried away by the flood of enthusiasm that made all the intellect of France believe in a new era of equality and emancipation from all the ills of life.

The success of his sketch for Jacques-Louis David painting the Oath of the Tennis Court, and his pronounced republicanism, secured his election to the Convention in September 1792, by the Section du Museum, and Jacques-Louis David quickly distinguished himself by the defense of two French artists in Rome who had fallen into the merciless hands of the Inquisition. As, in this matter, the behavior of the authorities of the French Academy in Rome had been dictated by the tradition of subservience to authority, be used his influence to get it suppressed. In the January following his election into the Convention his vote was given for the king's death.

It is difficult for a generation which has witnessed another complete French revolution in the standards of artistic taste to realize the secret of his immense popularity in his own day. His style is severely academic, his color lacking in richness and warmth, his execution hard and uninteresting in its very perfection. Subjects and treatment alike are inspired by the passing fashion of an age which had deceived itself into believing that it was living and moving in the spirit of classical antiquity.

Jacques-Louis David The Oath of the Horatii

The inevitable reaction of the romantic movement made the masterpieces, which had filled the men of the French Revolution with enthusiasm, seem cold and lifeless to those who had been taught to expect in art that atmosphere of mystery which in nature is everywhere present. Yet Jacques-Louis David was a great artist, and exercised in his day and generation a great influence. Jacques-Louis David paintings are magnificent in their composition and their draughtsman ship; and his keen observation and insight into character are evident, especially in his portraits, notably of Madame Recamier, of the Conventional Gerard and of Boissy d'Anglas.
See E. J. Delecluze, Louis David, Son ecole et son temps (Paris, 1855), and Le Peintre Louis David. Souvenirs et documents indits, by J. L. Jules David, the painter's grandson (Paris, 1880).

Jacques-Louis David Napoleon Crossing the Alps

List of Famous Jacques-Louis David Paintings for Sale

Toperfect supply oil painting masterpiece reproductions of the old master as below, you are welcome to send us your own picture to copy.
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Buy art oil painting masterpiece by Jacques-Louis David