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Artworks of oil painting old
master Dagnan-Bouveret Pascal-Adolphe-Jean
France 1852-1929 0 Bretonnes au Pardon 0 Last Supper 4 A Woman from Bern Switzerland 4 Dagnan Bouveret In The Meadow 1892 by French Raphael Rembrandt oil painting Remington Van Gogh Vincent 4 Ophelia 4 Pascal Adolphe Jean Jeune Homme Breton 4 pascal Adolphe Jean La Lettre 4 Pascal Adolphe Jean Dagnan-Bouveret Portrait Of Princess O V Paley by French Raphael Rembrandt oil painting Remington Van Gogh Vincent |
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4 Portrait of Brittany Girl 4 Portrait of Childs Frick 4 Portrait Of Gustave Courtois 4 Dagnan Bouveret Portrait of his Grandfather by French Raphael Rembrandt oil painting Remington Van Gogh Vincent 5 Horses at the Watering Trough 5 In the Stable 5 Marguerite au Sabbat 5 Pascal Adolphe Jean Dagnan-Bouveret Young Watercolourist In The Louvre by old oil painting artist reproduction supplies Toperfect Art 6 Bretons Praying 1888 7 Christ and the Disciples at Emmaus 7 Consolatrix Afflictorum 7 Dagnan Bouveret Les Conscrits by French Raphael Rembrandt oil painting Remington Van Gogh Vincent 7 The Accident 8 In The Forest 1892 8 Le Pardon en Bretagne 8 Dagnan Bouveret Une Noce chez le photographe by French Raphael Rembrandt oil painting Remington Van Gogh Vincent |
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| Old oil painting artist Pascal-Adolphe-Jean Dagnan-Bouveret |
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Pascal-Adolphe-Jean
Dagnan-Bouveret Student of: Alexandre Cabanel (1823-1889), Jean-Baptiste-Camille Corot (1796-1875), Jean Léon Gérôme (1824-1904). |
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As the dean of the
nineteenth century academic naturalist
tradition, and a painter who sponsored a
fervent anti-modernist stance during his
life-time, Pascal Adolphe Jean
Dagnan-Bouveret, has been steadily coming
back into public consciousness over the past
fifteen years. Collectors have been drawn to
the originality of his conceptions, the
meticulousness of his style, and his ability
to continue working in an academic mode well
into the twentieth century in defiance of
the modernist viewpoint. Clearly,
Dagnan-Bouveret had a personal vision and
this was at variance with the constant flux
and change advocated by modernism. |
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| Dagnan exhibited at the Salon des Artistes Français from 1877 (Atalante, Musée des Beaux-Arts in Melun) until 1889; and in 1890 Pascal Adolphe Jean Dagnan Bouveret began exhibiting at the Salon of the Société Nationale des Beaux-Arts where Pascal Adolphe Jean Dagnan Bouveret was one of the founding members. His first popular Salon success came with the anecdotal genre painting Une noce chez le photographe (1879) (Musée des Beaux-Arts, Lyon), but the works which established Dagnan-Bouveret's reputation are his naturalist scenes inspired by life in the Franche-Comté and Brittany including Un accident (1880) in the Walters Art Gallery, Baltimore, Chevaux à l'abreuvoir (1885) Musée des Beaux-Arts, Chambéry, Le Pardon en Bretagne (1887) at the Metropolitan Museum of Art, Bretonnes au Pardon (1889) in Lisbon in the Gulbenkian Collection, Le Concert dans la forêt in the collections of the Nancy Art Museum or Les Conscrits (1890) (Paris, Assemblée Nationale). |
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The latter work reiterated the intense
nationalistic fervor of the period by
centering the activities of recruitment on
the strength and support of the rural areas
of France - locations that remained totally
behind the central government. The success
of these paintings in the 19th century and
the impact they still have for us today are
in great part due to the influ ence of
photography in their creation. As a student
of Gérôme, Dagnan-Bouveret with many of his
colleagues (Europeans and Americans) learned
how to use photography as a tool to arrive
at a more naturalistic, decidedly casual,
rendering for the scenes of daily life.
Pascal Adolphe Jean Dagnan-Bouveret was closely associated with
J.-A. Muenier, a painter who also maintained
a fervent interest in photography. Both men
traveled to the Near East (Algeria)
together, at the close of the 1880s
(1887-1888), where they actively
photographed numerous scenes in Algiers in
order to feed their developing interest in
orientalist themes. The photographic record
of their trip together provides an extensive
documentary foundation for seeing how these
artists were able to use this medium.
Understandably, Dagnan did not merely take
photographs so that Pascal Adolphe Jean
Dagnan Bouveret could copy them for
his paintings. Rather, Pascal Adolphe Jean
Dagnan Bouveret saw the new medium
of photography as a creative tool which,
when added to the academic tradition of
painstaking preparation of a given
composition, added significantly to the way
in which Dagnan-Bouveret could increase the
intricacy and exactitude of his compositions
while reinforcing the general interest in
reality. Dagnan was also a pastellist and a member of the Société des Pastellistes. In addition to Paris and the European continent, Dagnan-Bouveret's works were exhibited in Chicago and in 1901 in a retrospective exhibition at the Art Institute of Chicago and several times in Pittsburgh (Carnegie Internationals) starting in 1896. Pascal Adolphe Jean Dagnan-Bouveret was also a member of the Foreign Advisory Committee for the Carnegie International from 1897 until 1908. In addition to the influence Pascal Adolphe Jean Dagnan-Bouveret exerted on art students through his exhibitions or when they came to his studio in order to request his advice, Pascal Adolphe Jean Dagnan Bouveret came in contact with others at the Académie Colarossi where Pascal Adolphe Jean Dagnan Bouveret taught between 1885-1890 with G. Courtois. Dagnan-Bouveret received numerous awards throughout his career. They include: the second Prix de Rome in 1876, a third class medal at the Salon in 1878, and a first class medal in 1880. Pascal Adolphe Jean Dagnan-Bouveret received the Legion of Honor in 1885 and the grade of Officer in 1891. Other French awards include the medal of honor from the Société des Artistes Français and the Universal Exposition in 1889, the medal and the Grand Prix at the 1900 Universal Exposition. Pascal Adolphe Jean Dagnan Bouveret became a member of the Institut de France in 1900. Foreign awards were also numerous. Foreign medals include: a gold medal in Munich and Ghent (1889), and a medal Hors concours at the 1893 Columbian Exposition in Chicago. His works have entered numerous French and European public collections, in addition to several north and south American collections. For example, in alphabetical order, his works can be studied in Arras, Musée des Beaux-Arts, in Baltimore at the Walters Art Gallery, in Beauvais in the Musée de Picardie, Besançon, Musée des Beaux-Arts, Boston, Museum of Fine Art. Chambéry, Musée des Beaux-Arts, Cherbourg, Musée Thomas Henri. Chicago, Chicago Art Institute, the Cincinnati Art Museum, Dijon, - Pascal Adolphe Jean Dagnan-Bouveret oil paintings Van Gogh - Pascal Adolphe Jean Dagnan-Bouveret oil painting Van Gogh Vincent – Raphael oil paintings Pascal Adolphe Jean Dagnan-Bouveret Bio by Van Gogh paintings art of Raphael, Van Gogh. |
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Musée des Beaux-Arts and Musée Magnin, Glasgow, Art Gallery & Museum,the Helsinki Ateneum, the Montreal Art Museum, Mulhouse, Musée des Beaux-Arts, at the Neue Pinakothek in Munich, the Pushkin Museum in Moscow, the Yale University Art Gallery in New Haven, in Paris at the Assemblée Nationale, the Comédie Française, the Orsay Museum, the Petit-Palais and the Sorbonne. Also in the Philadelphia Museum of Art, in Pittsburgh at the Carnegie Museum and the Frick Art & Historical Center, in Quimper, Musée Municipal, the church in Qincey (Haute-Saône), St. Petersburg at the Hermitage, in the Musée Georges Garret, Vesoul (Franche-Comté), and in the Sterling & Francine Clark Institute, Williamstown. |
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