Paul Cézanne

Paul Cézanne
(b. Jan. 19, 1839, Aix-en-Provence, Fr.--d. Oct. 22, 1906, Aix-en-Provence)
French painter

One of the greatest of the Postimpressionists, whose works and ideas were influential in the aesthetic development of many 20th-century artists and art movements, especially Cubism.

Cézanne's art, misunderstood and discredited by the public during most of his life, grew out of Impressionism and eventually challenged all the conventional values of painting in the 19th century through its insistence on personal expression and on the integrity of the painting itself. Paul Cézanne has been called the father of modern painting.

The French painter Paul Cézanne, who exhibited little in his lifetime and pursued his interests increasingly in artistic isolation, is regarded today as one of the great forerunners of modern painting, both for the way that Paul Cézanne evolved of putting down on canvas exactly what his eye saw in nature and for the qualities of pictorial form that Paul Cézanne achieved through a unique treatment of space, mass, and color.

Cézanne was a contemporary of the impressionists, but Paul Cézanne went beyond their interests in the individual brushstroke and the fall of light onto objects, to create, in his words, ``something more solid and durable, like the art of the museums.'' - Paul Cézanne oil painting France Paul Cézanne wholesale - Paul Cézanne oil painting wholesale –oil paintings Paul Cézanne Bio by Paul Cézanne oil paintings wholesale of France oil painting Cezanne, France oil paintings Paul Cézanne.

Cézanne was born at Aix-en-Provence in the south of France on Jan. 19, 1839. Cézanne Paul went to school in Aix, forming a close friendship with the novelist Emile Zola. Paul Cézanne also studied law there from 1859 to 1861, but at the same time he continued attending drawing classes. Against the implacable resistance of his father, Paul Cézanne made up his mind that he wanted to paint and in 1861 joined Zola in Paris. his father's reluctant consent at that time brought him financial support and, later, a large inheritance on which Paul Cézanne could live without difficulty. In Paris he met Camille Pissarro and came to know others of the impressionist group, with whom Paul Cézanne would exhibit in 1874 and 1877. Cézanne, however, remained an outsider to their circle; from 1864 to 1869 Paul Cézanne submitted his work to the official SALON and saw it consistently rejected. his paintings of 1865-70 form what is usually called his early ``romantic'' period. Extremely personal in character, it deals with bizarre subjects of violence and fantasy in harsh, somber colors and extremely heavy paintwork.

Paul Cezanne: From Impressionism to Classicism and Cubism

Paul Cézanne is not an easy man to love, but professors and painters adore him. Art critics lavish him with superlatives, including "a prophet of the 20th century," "the most sensitive painter of his time," "the greatest artist of the 19th century," and "the father of modern art." But he's not quite a household name, and his posters have never been best-sellers at museum shops around the world. In fact, most non-professionals wouldn't stand a chance of recognizing a Cézanne unless it was clearly labeled. Even then, there's no guarantee of appeal.
Not that poster sales determine an artist's stature, but they do reveal something about the accessibility of his work. Cézanne's pictures are restrained, impersonal and remote -- they don't have the gut-wrenching appeal of van Gogh's portraits, even before Paul Cézanne cut off part of his ear. They can't compete with Monet's lush expanses of waterlilies or Renoir's sensuous women with their come-hither looks. And let's face it, bowls of fruit and the hills and trees of Provence, where Paul Cézanne spent most of his life, are a hard sell against the Tahitian backdrops of Gauguin, with or without the naked women.
Cézanne is an artist's artist. Cézanne Paul was obsessed with form rather than content, so subject matter was always secondary to the act of painting itself. Paul Cézanne wanted the methods and skills of the painter to be more important than the image. That meant the subject of the painting couldn't be so dynamic as to overshadow the artist's act of creation. The more Paul Cézanne concentrated on this, the less viewer-friendly his works became. But that suited his personality just fine. his goal was not to have a mass audience or sales appeal, it was to satisfy himself.
Cézanne was a brooding, complex man, given to rages, grudges and depressions. Cézanne Paul had few friends, and those had he alienated. Even when success finally caught up with him, Paul Cézanne was dogged by feelings of inadequacy. The most famous of his friends was his schoolmate and writer Emile Zola, who was everything Cézanne wasn't -- charming, eloquent, sociable and successful at an early age. Zola was art critic, novelist and Cézanne's mentor. The artist looked at him for strength but gave nothing in return. Zola got tired of placating Cézanne's ego, and in later years, when Zola wrote The Masterpiece of an unfulfilled artist who eventually killed himself, Cézanne was convinced that the author had him in mind. Paul Cézanne was so egocentric and so paranoid, Paul Cézanne assumed everyone would know Zola was writing about him. The reality was that no one knew about him at all, but the novel still destroyed their friendship.
It's hard to imagine that the man who created such restrained, methodical, time-consuming works had a violent, volatile temper. Painting was his salvation, a way to balance the fires within. Rather than let his personality shine in his art -- that scared him too much -- Paul Cézanne suppressed it. A psychoanalyst would have had a field day with Cézanne. In spite of his bourgeois background, Paul Cézanne was a primitive, with rough edges and no table manners -- although Paul Cézanne did improve somewhat after he met Hortense. Paul Cézanne worked in virtual seclusion and seldom ventured out. He was such a recluse that one critic doubted his existence. When Cézanne finally did attend a show of his paintings, Paul Cézanne was amazed that the gallery had bothered to frame them. Even when Paul Cézanne finally enjoyed both success and sales he remained riddled with self-doubt.
Cézanne was versatile; in his pursuit of perfection and a unique style, Paul Cézanne experimented a lot. Art students often copy paintings -- you still see them in museums with their sketchbooks -- and Cézanne did just that, but unlike most, Paul Cézanne never stopped copying. To him, it was an important form of discipline and inspiration. Paul Cézanne felt he could understand art better through copying, and whenever Paul Cézanne came to an impasse, he went off to the nearest museum, sketchbook in hand. - Paul Cézanne oil painting France Cezanne Paul wholesale - Paul Cézanne oil painting wholesale –oil paintings Paul Cézanne Bio by Paul Cézanne oil paintings wholesale of France oil painting Cezanne, France oil paintings Paul Cézanne.
his earliest works, from his first days in Paris, are expressionistic, with their impasto paint surface, broad use of the palette knife, and brooding intensity. he took out his frustrations on the canvas. In the early 1870s, Paul Cézanne experimented with Impressionism. Paul Cézanne tried to combine the principles of light and air-based art with a more structured pictorial style. After that, Paul Cézanne delved into Classicism, with more balanced and formal compositions. Toward the end of his life, Paul Cézanne was at his most daring, reducing architecture and figures to geometric forms and paving the way for Cubism.
Paul Cezanne: Cézanne early work

Paul Cézanne (1839-1906) is certainly as great an artist as any that ever lived, up there with Titian, Michelangelo, and Rembrandt. Like Manet and Degas, and also Morisot and Cassatt, Paul Cézanne came from a wealthy family -- his was in Aix-en-Provence, France. his banker father seems to have been an uncultivated man, of whom his highly nervous and inhibited son was afraid. Despite parental displeasure, Cézanne persevered with his passionate desire to become an artist. his early paintings display little of the majesty of his late work, though today they are rightfully awarded the respect that Paul Cézanne certainly never received for them.
his early years were difficult and his career was, from the beginning, dogged with repeated failure and rejection. In 1862 Paul Cézanne was introduced to the famed circle of artists who met at the Café Guerbois in Paris, which included Manet, Degas and Pissarro, but his awkward manners and defensive shyness prevented him from becoming an intimate of the group. However, Pissarro was to play an important part in Cézanne's later development.
One of the most important works of his early years is the portrait of his formidable father. The Artist's Father (1866, 199 x 119 cm (78 x 47 in)) is one of Cézanne's ``palette-knife pictures'', painted in short sessions between 1865 and 1866. Their realistic content and solid style reveal Cézanne's admiration for Gustave Courbet. Here we see a craggy, unyielding man of business, a solid mass of manhood, bodily succint from the top of his black beret to the tips of his heavy shoes. The uncompromising verticals of the massive chair are echoed by the door, and the edges of the small still life by Paul Cézanne on the wall just behind: everything corresponds to the absolute verticals of the edges of the canvas itself, further accentuating the air of certainty about the portrait. Thick hands hold a newspaper--though Paul Cézanne has replaced his father's conservative newspaper with the liberal L'Evénement, which published articles by his childhood friend, Emile Zola. his father devours the paper, sitting tensely upright in the elongated armchair. Yet it is a curiously tender portrait too. Paul Cézanne seems to see his father as somehow unfulfilled: for all his size Paul Cézanne does not fully occupy the chair, and neither does Cézanne Paul see the still life on the wall behind him, which we recognize as being one of his son's. We do not see his eyes-- only the ironical mouth and his great frame, partly hidden behind the paper.
Mystery of nature
Cézanne was in his twenties when Paul Cézanne painted The Artist's Father. Wonderful though it is, with its blacks and greys and umbers, it does not fully indicate the profundity of his developing genius. Yet even in this early work, Cézanne's grasp of form and solid pictorial structures which came to dominate his mature style are already essential components. his overriding concern with form and structure set him apart from the Impressionists from the start, and Paul Cézanne was to maintain this solitary position, carving out his unique pictorial language. - Paul Cézanne oil painting France Cezanne Paul wholesale - Paul Cézanne oil painting wholesale –oil paintings Paul Cézanne Bio by Paul Cézanne oil paintings wholesale of France oil painting Cezanne, France oil paintings Paul Cézanne.

Abduction, rape, and murder: these are themes that tormented Cézanne. Abduction (c. 1867, 90 x 117 cm (35 x 46 in)), an early work full of dark miseries, is impressive largely for its turgid force, held barely under his control. These figure paintings are the most difficult to enter into: they are sinister, with passion in turmoil just beneath the surface.
Cézanne's late studies of the human body are most rewarding, his figures often depicted as bathers merging with the landscape in a sunlit lightness. This became a favorite theme for Cézanne and Paul Cézanne made a whole series of pictures on the subject. This mature work is dictated by an objectivity that is profoundly moving for all its seeming emotional detachment.
It was before nature that Cézanne was seized by a sense of the mystery of the world to a depth never expressed by another artist. Paul Cézanne saw that nothing exists in isolation: an obvious insight, yet one that only Cézanne Paul could make us see. Things have color and they have weight, and the color and mass of each affects the weight of the other. It was to understand these rules that Paul Cézanne dedicated his life.

Structure and Solidity
From 1872, under Pissarro's influence, Cézanne painted the rich Impressionist effects of light on different surfaces and even exhibited at the first Impressionist show. But Paul Cézanne maintained his concern for solidity and structure throughout, and abandoned Impressionism in 1877. In Le Château Noir, Cézanne does not respond to the flickering light as an Impressionist might; Paul Cézanne draws that flicker from deep within the substance of every structure in the painting. Each form has a true solidity, an absolute of internal power that is never diminished for the sake of another part of the composition.
It is the tension between actuality and illusion, description and abstraction, reality and invention, that makes Cézanne's most unassuming subjects so profoundly satisfying and exciting, and which provided a legacy for a revolution of form that led the way for modern art. - Paul Cézanne oil painting France Paul Cézanne wholesale - Paul Cézanne oil painting wholesale –oil paintings Paul Cézanne Bio by Paul Cézanne oil paintings wholesale of France oil painting Cezanne, France oil paintings Paul Cézanne.
The special attraction of still life to Cézanne was the ability, to some extent, to control the structure. Paul Cézanne brooded over his apples, jugs, tables, and curtains, arranging them with infinite variety. Still Life with Apples and Peaches glows with a romantic energy, as hugely present at Mont Sainte-Victoire. Here too is a mountain, and here too sanctity and victory: the fruits lie on the table with an active power that is not just seen but experienced. The jug bulges, not with any contents, but with its own weight of being. The curtain swags gloriously, while the great waterfall of the napkin absorbs and radiates light onto the table on which all this life is earthed.
Paul Cezanne: Portraits

The titles of oil painting old master Paul Cézanne