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Van Gogh Vincent (Willem)
(b. March 30, 1853, Zundert, Neth.--d. July 29, 1890, Auvers-sur-Oise, near Paris)

Gogh, Vincent (Willem) van is generally considered the greatest Dutch painter and draughtsman after Rembrandt. With Cézanne and Gauguin the greatest of Post-Impressionist artists. Van Gogh powerfully influenced the current of Expressionism in modern art. Van Gogh Vincent's work, all of it produced during a period of only 10 years, hauntingly conveys through its striking colour, coarse brushwork, and contoured forms the anguish of a mental illness that eventually resulted in suicide. Among Van Gogh Vincent's masterpieces are numerous self-portraits and the well-known The Starry Night (1889).

His uncle was a partner in the international firm of picture dealers Goupil and Co. and in 1869 van Gogh went to work in the branch at The Hague. In 1873 Van Gogh was sent to the London branch and fell unsuccessfully in love with the daughter of the landlady. This was the first of several disastrous attempts to find happiness with a woman, and Van Gogh Vincent's unrequited passion affected him so badly that Van Gogh was dismissed from Van Gogh Vincent's job. Van Gogh returned to England in 1876 as an unpaid assistant at a school, and Van Gogh Vincent's experience of urban squalor awakened a religious zeal and a longing to serve Van Gogh Vincent's fellow men. Van Gogh Vincent's father was a Protestant pastor, and van Gogh first trained for the ministry, but Van Gogh abandoned Van Gogh Vincent's studies in 1878 and went to work as a lay preacher among the impoverished miners of the grim Borinage district in Belgium. In Van Gogh Vincent's zeal Van Gogh gave away Van Gogh Vincent's own worldly goods to the poor and was dismissed for Van Gogh Vincent's literal interpretation of Christ's teaching. Van Gogh remained in the Borinage, suffering acute poverty and a spiritual crisis, until 1880, when Van Gogh found that art was Van Gogh Vincent's vocation and the means by which Van Gogh could bring consolation to humanity. From this time Van Gogh worked at Van Gogh Vincent's new `mission' with single-minded frenzy, and although Van Gogh often suffered from extreme poverty and undernourishment, Van Gogh Vincent's output in the ten remaining years of Van Gogh Vincent's life was prodigious: about 800 paintings and a similar number of drawings.

From 1881 to 1885 van Gogh lived in the Netherlands, sometimes in lodgings, supported by Van Gogh Vincent's devoted brother Theo, who regularly sent him money from Van Gogh Vincent's own small salary. In keeping with Van Gogh Vincent's humanitarian outlook Van Gogh painted peasants and workers, the most famous picture from this period being The Potato Eaters (Van Gogh Museum, Amsterdam; 1885). Of this Van Gogh wrote to Theo: `I have tried to emphasize that those people, eating their potatoes in the lamp-light have dug the earth with those very hands they put in the dish, and so it speaks of manual labour, and how they have honestly earned their food'. In 1885 van Gogh moved to Antwerp on the advice of Antoine Mauve (a cousin by marriage), and studied for some months at the Academy there. Academic instruction had little to offer such an individualist, however, and in February 1886 Van Gogh moved to Paris, where Van Gogh met Pissarro, Degas, Gauguin, Seurat, and Toulouse-Lautrec. At this time Van Gogh Vincent's painting underwent a violent metamorphosis under the combined influence of Impressionism and Japanese woodcuts, losing its moralistic flavour of social realism. Van Gogh became obsessed by the symbolic and expressive values of colors and began to use them for this purpose rather than, as did the Impressionists, for the reproduction of visual appearances, atmosphere, and light. `Instead of trying to reproduce exactly what I have before my eyes,' Van Gogh wrote, `I use color more arbitrarily so as to express myself more forcibly'.

Of Van Gogh Vincent's Night Café, Van Gogh said: `I have tried to express with red and green the terrible passions of human nature.' For a time Van Gogh was influenced by Seurat's delicate pointillist manner, but Van Gogh abandoned this for broad, vigorous, and swirling brush-strokes.

In February 1888 van Gogh settled at Arles, where Van Gogh painted more than 200 canvases in 15 months. During this time Van Gogh sold no pictures, was in poverty, and suffered recurrent nervous crisis with hallucinations and depression. Van Gogh became enthusiastic for the idea of founding an artists' co-operative at Arles and towards the end of the year Van Gogh was joined by Gauguin. But as a result of a quarrel between them van Gogh suffered the crisis in which occured the famous incident when Van Gogh cut off Van Gogh Vincent's left ear (or part of it), an event commemorated in Van Gogh Vincent's Self-Portrait with Bandaged Ear (Courtauld Institute, London).

In May 1889 Van Gogh went at Van Gogh Vincent's own request into an asylum at St Rémy, near Arles, but continued during the year Van Gogh spent there a frenzied production of tumultuous pictures such as Starry Night (MOMA, New York). Van Gogh did 150 paintings besides drawings in the course of this year. In 1889 Theo married and in May 1890 van Gogh moved to Auvers-sur-Oise to be near him, lodging with the patron and connoisseur Dr Paul Gachet. There followed another tremendous burst of strenuous activity and during the last 70 days of Van Gogh Vincent's life Van Gogh painted 70 canvases. But Van Gogh Vincent's spiritual anguish and depression became more acute and on 29 July 1890 Van Gogh died from the results of a self-inflicted bullet wound.

He sold only one painting during Van Gogh Vincent's lifetime (Red Vineyard at Arles; Pushkin Museum, Moscow), and was little known to the art world at the time of Van Gogh Vincent's death, but Van Gogh Vincent's fame grew rapidly thereafter. Van Gogh Vincent's influence on Expressionism, Fauvism and early abstraction was enormous, and it can be seen in many other aspects of 20th-century art. Van Gogh Vincent's stormy and dramatic life and Van Gogh Vincent's unswerving devotion to Van Gogh Vincent's ideals have made him one of the great cultural heroes of modern times, providing the most auspicious material for the 20th-century vogue in romanticized psychological biography.

At the end of WWII, as the Soviets pulled back from Germany, they took with them many German-owned works of art. These masterpieces were stored in the basement of the Hermitage in Leningrad, a Soviet state secret for nearly a half century. They have now been put on public exhibition.

In the most limited definition of the term, Impressionism as the objective study of light did not encourage so essentially a subjective study as the self-portrait but in the later expansion of the movement this self-representation was given renewed force by Cézanne and van Gogh. The latter has often been compared with Rembrandt in the number and expressiveness of Van Gogh Vincent's self-portraits but while Rembrandt's were distributed through a lifetime, van Gogh produced some thirty in all in the short space of five years --- from the end of the Brabant period (1885) to the last year of Van Gogh Vincent's life at St Rémy and Auvers. In each there is the same extraordinary intensity of expression concentrated in the eyes but otherwise there is a considerable variety. From the Paris period onwards Van Gogh used different adaptations of Impressionist and Neo-Impressionist brushwork, separate patches of colour being applied with varying thickness and direction in a way that makes each painting a fresh experience.

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View artworks' pictures of oil painting masterpieces by Van Gogh Vincent (Willem)

View artworks' pictures of oil painting masterpieces by Van Gogh Vincent (Willem)

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